Big, glass, plat and rectangular plate witch was designed, made and signed by artist Marta Wojciechowska.
Unique and special in all respects, fired in high temperature, dyed and hand-cut plateau/plate.
Handmade in Poland. The hanger is designed for hanging a platter with a diameter of 54 cm.
Glass handmade, signed (subtle engraver) and artically designed by Marta Wojciechowska plaetau.
Big, glass, plat and square plate witch was designed, made and signed by artist Marta Wojciechowska.
This plate is like any other product from the Glassmour range has been signed by the author and as it a handmade between every piece you can spot ehe slighttest differences that will make whatever you buay in our gallery, you will buy own a unique.
This bent square zebra plate is in shades of black and fluffy white. It was designed, executed and signed by artist Marta Wojciechowska.
Big, glass, plat and rectangular plate witch was designed, made and signed by artist Marta Wojciechowska.
Unique and special in all respects, fired in high temperature, dyed and hand-cut plateau/plate.
Handmade in Poland. The hanger is designed for hanging a platter with a diameter of 54 cm.
Glass handmade, signed (subtle engraver) and artically designed by Marta Wojciechowska plaetau.
Big, glass, plat and square plate witch was designed, made and signed by artist Marta Wojciechowska.
This plate is like any other product from the Glassmour range has been signed by the author and as it a handmade between every piece you can spot ehe slighttest differences that will make whatever you buay in our gallery, you will buy own a unique.
This bent square zebra plate is in shades of black and fluffy white. It was designed, executed and signed by artist Marta Wojciechowska.
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I graduated from the Academy of Fine Arts in Wrocław in 1997 with a degree in glass designing. I love glass, wood, simplicity and expressiveness. Glass is an expressive material for sculpting, which is both sophisticated and charming in itself. Showing the decorativeness and beauty of glass seems too easy and obvious for me. I prefer to treat glass as a material as tender and evanescent as the air, water or ice, which closes its secret for a brief moment to release it later.
Glass and wood form a safe connection that is soft and devoid of tension.